Showbiz Christchurch returned to the Isaac Theatre Royal stage in full force for 2016 and pulled off the perfect hat-trick of Mamma Mia!, Hairspray and Evita to full houses and rave reviews. Showbiz have announced their 2017 season and it is set to be another stellar three production line up of unmissable theatre and music.
The 2017 year begins in March on a fabulous big bus called Priscilla, Queen of the Desert. This extravagant musical has over 500 outrageous costumes, 200 magnificent headdresses, a spectacular new bus custom built in Christchurch, and a hit parade of dance floor classics including ‘Don’t Leave Me This Way’, ‘I Will Survive’, ‘Hot Stuff’ and ‘Shake Your Groove Thing’.
From 26 – 28 May the Isaac Theatre will be alive with the sound of Rodgers and Hammerstein. This full scale concert – with a live Broadway-style orchestra, vocal soloists and a chorus of over 100 from Showbiz and NASDA – will feature songs from Oklahoma!, The Sound of Music, The King and I, South Pacific, Carousel, amongst others.
In September the soulful Broadway musical comedy Sister Act will have audiences feeling divine. Based on the hit Whoopi Goldberg movie, Sister Act features original music by legendary composer Alan Menken, who wrote the music for Beauty and the Beast, Aladdin and Little Shop of Horrors.
Tickets for all three shows are on sale from Thursday 24th November. Showbiz will be repeating the popular full season discount offer which was so successfully introduced for the 2016 season. Discounts of 10% for one show, 20% for two and 30% when booking for all three performances will be available on all Premium and A Reserve seats until 31st January 2017.
Tickets start from $55.00
All bookings at Ticketek 0800 842 538 or www.ticketek.co.nz
The 2018 Showbiz season comes to an epic conclusion in September with Les Misérables – the third staging of this popular musical in the organisation’s 80 year history, and also the third to be directed by leading NZ musical director Stephen Robertson.
As part of the inaugural NZ Theatre Month this September – a nationwide festival celebrating New Zealand theatre and the people involved in making it – Showbiz Christchurch is delighted to present their first Audio Described Performance and Touch Tour of Les Misérables. This is a ticketed event for a limited number of visually impaired patrons and their companions during a public performance.
Winner of over 100 international awards and seen by over 65 million people worldwide, Les Mis’ popularity is undisputed but Showbiz wasn’t sure if it would also be a good candidate for an audio described performance.
“We consulted extensively with the Blind Foundation to make sure ‘Les Mis’ would work for their clients,” says Showbiz’s Marketing Manager, Wendy Riley. “Foundation Recreation and Volunteer Coordinator Petronella Spicer is an avid theatregoer so we asked her to review the show and give us her opinion. Once we got the greenlight from her we felt confident in moving forward with the performance.”
NZ Opera have previously audio described their productions of Madam Butterfly and Tosca at the Isaac Theatre Royal. Showbiz Christchurch’s production of Les Misérables is believe to be the first musical to be audio described in the South Island.
Showbiz has engaged the services of a professional audio describer Rachel Sears who has been instrumental in championing accessible theatre. Sears will spend around a week watching rehearsals and preparing for the audio described performance on Sunday 23 September. She will describe the visual aspects of the show live to audience members fitted with headsets that enable them to also hear the live performance. The audio describing equipment is provided by Christchurch company BounceNZ who are industry leaders in theatre sound operation.
Theatregoers who attend the audio described performance will also be able to take a backstage ‘Touch Tour’ prior to the show, so they can understand the makeup of the set, props, costumes and the physical nature of the actors before they attend the performance.
Showbiz also has plans to open up the doors backstage on Saturday 22 September so members of the general public can gain rare access and insight into what it takes to stage a large Broadway-style musical. Tour numbers are limited and tickets will cost $10, proceeds from which will go towards offsetting some of the costs of providing the Audio Described Performance and Touch Tour.
The Isaac Theatre Royal will also open the foyer from 11am to 4pm to view dynamic displays that chart the history of the theatre and some of the stage productions, and catch a glimpse of Les Misérables set from the auditorium.
“These initiatives are part of the journey to make Showbiz Christchurch productions more accessible to a wider audience” says General Manager Michael Bayly.
Audio Described Performance and Touch Tour of Les Misérables:
- 4pm, 23 September 2018
- Information and tickets phone Showbiz Christchurch (03) 377 7954.
Les Misérables Public Backstage Tour:
- 22 September 2018. Tour times: 10:30am, 11:00am, 11:30am, 12 noon and 12:30pm.
Each tour takes 45 minutes.
- The Isaac Theatre Royal foyer will also be open from 11am – 4pm.
- Opens 14 September 2018
Isaac Theatre Royal
Great drama never gets old
The 2018 Showbiz season comes to an epic conclusion in September with Les Misérables. Winner of over 100 international awards and seen by over 65 million people worldwide, Les Misérables is a grand and uplifting story about the survival of the human spirit. This modern classic is based on Victor Hugo’s novel and features one of the most memorable scores of all time proving that great drama never gets old.
Directed by Stephen Robertson, with musical direction by Richard Marrett, this is a new production of Alan Boublil and Claude-Michel Schönberg’s Les Misérables. It will feature the set from the 2001 Showbiz production – including the famous revolve – all of which has undergone major refurbishment.
This will be Robertson’s third time directing a Showbiz production of ‘Les Mis’, and each time he manages to breathe new life, and reach new heights, with the show he has come to love and know so well.
“Les Mis is big and majestic and directed like musket shot to your heart” said Christchurch Star reviewer Barry Grant of the 2001 production. The 1994 production was no less spectacular and holds the record as the largest musical ever staged by Showbiz, with the season of 33,500 seats sold out before opening night. It is the third longest running musical performed in the history of the Isaac Theatre Royal behind the J.C. Williamson production of My Fair Lady in 1962 and the 1975 production of Jesus Christ Superstar starring Jon English.
In this new production Sydney born tenor Daniel Belle will be performing the principal role of Jean Valjean, the man at the heart of the story.
In nineteenth century France, Valjean is released from 19 years of unjust imprisonment and finds nothing in store for him but mistrust and mistreatment. He breaks his parole in the hope of starting a new life, initiating a lifelong struggle for redemption relentlessly pursued by police inspector Javert.
Belle has performed the role ‘hundreds of times’ in the Australian National production of Les Misérables, and in the Asian tour performing in Manila, Singapore and Dubai.
In June he performed at the Isaac Theatre Royal as part of the internationally acclaimed vocal group The Ten Tenors, which he joined in 2012 after completing studies at The Sydney Conservatorium of Music and the Australian Institute of Music. Performing in the Ten Tenors Double Platinum tour, Daniel has sung throughout Australia, Europe and The United States to critical acclaim.
Performing alongside Belle are seasoned Showbiz performers: James Foster (Javert), Kira Josephson (Fantine), Fergus Inder (Marius), Jacqueline Doherty (Cosette), Jack Fraser (Enjolras), Ben Freeth (Monsieur Thénardier) and Monique Clementson (Eponine). Making her Showbiz debut is Nelson performer Rebecca Malcolm in the role of Madame Thénardier.
98 children auditioned for the roles of young Cosette, young Eponine and Gavroche who will be played by five alternating performers.
Eight year old Duncan Price and 11 year old Ethan Carranceja (Southern Ballet) will perform in the role of Gavroche. Nine year old Lavinia Sutherland and eight year old Isla Palmer (Anna Lee School of Dance) will alternate the role of young Cosette. All are new Showbiz performers with previous performance training and/or experience. The role of young Eponine is currently still being cast.
The ensemble consists of: Mitchell Anderson, Samuel Baird, Katie Beer, Liam Braithwaite, William Burns, Sam Burt, Philippa Chilvers, Roz Ellis, Paul Fidow, Jack Hanrahan, Catherine Hay, Simon Heeringa, Anna Henderson, Bryony Jamison, Andrea Koorey, Jack Marshall, Tara Martin, Laurel Rose, James Shera, Claire Steel, Chris Symon, Lorraine Turner, Chris Walker, Matilda Wickbom & Elliot Wood.
The Saunders & Co Season
Showbiz Christchurch production of
Opens 14 September 2018
Isaac Theatre Royal
A musical by Alain Boublil and Claude-Michel Schönberg
Based on a novel by Victor Hugo
Music by Claude-Michel Schönberg
Lyrics by Herbert Kretzmer
Original French text by Alain Boublil and Jean-Marc Natel
Additional material by James Fenton
Adapted and originally directed by Trevor Nunn and John Caird
Orchestrations by John Cameron
Original London Production by Cameron Mackintosh and The Royal Shakespeare Company
Licensed exclusively by Music Theatre International (Australasia) and Cameron Mackintosh Ltd.
All performance materials supplied by Hal Leonard Australia.
Tickets available online through Ticketek or by phoning: 0800 842 538
The Ryman Healthcare Showbiz Christchurch Orchestra, 16 soloists and a large chorus will fill the Isaac Theatre Royal stage to present a concert of back-to-back hits from two of the biggest names in musical theatre, Cole Porter and Andrew Lloyd Webber.
American born Porter wrote over 800 songs during a career spanning five decades, conquering both Broadway and Hollywood. His soaring melodies, offset with urbane and witty lyrics, gave rise to his signature musical genre known as ‘the Cole Porter song’. Iconic musicals like Anything Goes, Can Can and Kiss Me Kate remain stage and screen classics, finding new audiences with every decade. Many of his greatest songs have been covered by modern stars like Michael Bublé, Robbie Williams and Lady Gaga.
British composer Andrew Lloyd Webber is arguably the best known name in modern musical theatre. In 2017 he became the first composer to have four musicals playing simultaneously on Broadway since 1953. Webber has written some of the world’s most loved and successful musicals including Evita, The Phantom of the Opera, Jesus Christ Superstar, CATS and Sunset Boulevard.
“This is more than just a ‘stand up and sing’ concert,” says Musical Director Ravil Atlas. “Each of the 26 songs presented has been cherry picked and represents the best and most popular songs from two of the greatest Broadway melodists.”
Atlas, who originally comes from California, has had a distinguished and varied career in opera, musical theatre and concerts for over 25 years. He has starred as the leading tenor in more than 70 professional opera productions in six countries, performed the role of Piangi in the Broadway production of The Phantom of the Opera in San Francisco, starred as Jean Valjean in Les Misérables and has taught many other professional singers and actors at the highest level. In 2017 he appeared as a mentor in TVNZ’s The Naked Choir.
Stage Director Nickie Wellbourn is charged with bringing the songs to life on stage. “Each song performed in Broadway Hitmen will have its own on-stage storytelling,” says Wellbourn. “I’ll also be including a few surprises to build on the ‘wow’ moments from the 2017 concert.”
One surprise which can be revealed is the inclusion of former Christchurch actor/singer Nic Kyle, who is now based in Vancouver. Kyle will be singing ‘Gethsemene’ from Jesus Christ Superstar, which he performed to critical acclaim whilst touring Australasia with world famous musical theatre diva Elaine Page in 2012.
Kyle was described in a Stage Whispers review as “a musical theatre artist with an amazing voice who wowed the audience. His songs were received by rapturous applause which rivaled the star performer, and the show would be worth seeing for his performance.”
The tour with Paige opened doors for Kyle on the West End, where he performed for four years and was nominated for Best Actor (BroadwayWorld) for his role in Savage (The Arts Theatre).
Kyle grew up in Ilam, attended Christ’s College, and graduated from the National Academy of Singing and Dramatic Arts (NASDA). In 2009 he performed the lead role with Showbiz Christchurch in the New Zealand premiere of Miss Saigon before landing the touring gig as Paige’s sole supporting act.
Kyle will be joined on stage in Broadway Hitmen by 15 other soloists, a 30 strong orchestra and a chorus of more than 50 to present all the songs from two of the greatest popular melodists in one concert.
“I was introduced to the songs of Cole Porter by my mother when I was a child and I have loved them ever since. They were her favourites and now they are mine,” says Wellbourn. “I hope to see an audience full of people sharing the music they love with younger members of their family.”
The repertoire will take the audience from the birth of Broadway with Cole Porter’s witty and suave Broadway standards from the 1930s, through the Lloyd Webber blockbusters. “It starts with 1930s nostalgia and ends with Broadway on steroids,” says Atlas. “It’s all your old friends together in one concert from two writers who gave the world popular melody.”
And for those who don’t think they know any Porter or Webber songs, Atlas and Wellbourn reassure “there are plenty of songs you will recognise and don’t realise that you already knew!”
Broadway Hitmen will be at the Isaac Theatre Royal for four performances from 13-15 July 2018.
If you’ve ever been to a Showbiz Christchurch performance and been blown away by the on-stage performance, you’re seeing just a small fraction of the local talent that culminates in an end product of this calibre.
The 80-year-old community theatrical society stages three productions each year. The Saunders & Co 2018 season commences at the Isaac Theatre Royal with Wicked from 6-21 April; followed by Broadway Hitmen, a concert of Cole Porter and Andrew Lloyd Webber hits, from 13-15 July; and is completed by Les Misérables opening on 14 September.
Up to 100 people can be involved behind the scenes in just one show, volunteers who put hundreds of unpaid hours into their roles.
In Wicked’s on stage performance, you will see two leads (played by four actors on alternate nights), six principal roles, 16 ensemble cast and 15 dancers, with 16 backing vocalists and 18 orchestral performers in the pit. Backstage however, 100 equally important parts make it all come together.
Vicki Morris-Williamson has been volunteering for Showbiz Christchurch for 19 years and is part of a team responsible for ensuring hats and costumes are made show ready and fit the brief of Director Stephen Robertson.
Successful Broadway shows like Wicked, complete national and international tours before the rights to stage them are given to community theatre groups. Showbiz Christchurch is the first in New Zealand to get these rights to stage Wicked.
“The Showbiz Christchurch performance is a whole new production,” Vicki says.
“Stephen creates the best shows he can and is completely invested in bringing something special to the stage. He visualises exactly what he wants down to the smallest detail. We then start with the bones of the costumes, adding and improving everything, making it our own unique show.”
Vicki is currently living in a sea of green, as she works diligently to overhaul hats that came from an international production and create new ones, for the Emerald City townsfolk in Wicked. Just about every member of the cast is on stage for this scene and every costume has a hat. That’s 35 hats, each representing Vicki’s work to realise Stephen’s vision for it.
Vicki wears many hats herself in the months that go into each performance. She is involved in costuming, pre-setting (planning set positioning), pack in (putting props up in the theatre), then the in-theatre rehearsals, before the run of shows.
“I warn my hubby heading into show season, that he won’t see me for three months,” she laughs. But working around a full-time job, it’s not an exaggeration.
It’s a family affair for her though. Vicki’s son James (then 12) joined her in her first production, in Joseph and the Amazing Technicolor Dreamcoat. Her daughter Jenna – a professional dancer from the New Zealand School of Dance – made her Showbiz Christchurch debut at 19 and will be performing in Wicked when it starts in April.
Craig Given has never had the desire to soak up the spotlight and perform on stage.
Instead you will find the percussionist hidden away in the dark orchestra pit of a theatre juggling a spectrum of quirky instruments.
“We have got to blend into the background, we have to be invisible, which is quite impossible when you are waving you arms all over the place,” he said.
Next month, Given, 39, will take on what is both a percussionist’s dream and nightmare, playing nearly 60 instruments in Wicked, Showbiz Christchurch’s first production of the year.
Wicked is one of the largest grossing musicals in Broadway history and tells the back story of The Wonderful Wizard of Oz.
Although Given has been playing percussion for Showbiz for more than 20 years, he said Wicked is one of the highlights of his musical career.
“There is so much diversity in the music . . . it ebbs and flows. There is African influences, orchestral and jazz – all sorts of different stylistic pieces,” he said. Finding the instruments required to create the thematic music has been as much of a challenge as playing it.
For many of the instruments, Given has either had to track them down from overseas or build them himself.
“I have had to make a few instruments; there is one called a bird-flapper, which is sections of balsa wood glued together which represents the sounds of birds flapping,” he said.
Other unique instruments which did not exist or had to be tracked down overseas included a bell plate, trine, talking drum, nut-shaker and wand.
Given said some of the music ranges from very earthy to high, sparkly sounds.
One of the strangest instruments used to represent a character in the show is the waterphone, which is often used in horror films.
“It is a bizarre instrument – you have probably heard nothing else like it,” Given said.
He has been looking for the instruments and preparing for the show since December.
Given said while living in New Zealand means performers are exposed to a bunch of shows, it is also difficult because the country is isolated.
“I’ve talked to guys overseas in Broadway and doing productions in America and got a lot of photos and videos from them to help research and fabricate the instruments,” he said.
As for playing the music, Given said the most difficult part is the choreography of getting from one instrument to the next.
“If you have a moment of inattention, you will get yourself into all sorts of trouble,” he said.
Given said he is looking forward to passing his knowledge about the instruments onto other percussionists as the show is performed by companies around New Zealand.
We know you have been wanting to know so here it is… the Wicked Leads’ performance schedule.
Heather Lee Wilcock (Elphaba) & Rebekah Head (Galinda)
- Friday, 6 April, 7.30pm
- Sunday, 8 April, 4.00pm
- Wednesday, 11 April, 7.30pm
- Friday, 13 April, 7.30pm
- Saturday, 14 April, 7.30pm
- Tuesday, 17 April, 7.30pm
- Thursday, 19 April, 7.30pm
- Saturday, 21 April, 2.00pm
Jane Leonard (Elphaba) & Ellie Neal (Galinda)
- Saturday, 7 April, 7.30pm
- Tuesday, 10 April, 7.30pm
- Thursday, 12 April, 7.30pm
- Saturday, 14 April, 2.00pm
- Sunday, 15 April, 4.00pm
- Wednesday, 18 April, 7.30pm
- Friday, 20 April, 7.30pm
- Saturday, 21 April, 7.30pm
Please note: Showbiz Christchurch reserves the right to amend the Leads’ performance schedule should circumstances dictate a change.
There is no more exciting way for one of Christchurch’s oldest musical theatre societies to commence its 80th year than by staging one of the most popular Broadway shows of all time. Showbiz Christchurch commences The Saunders & Co 2018 season at the Isaac Theatre Royal on 6 April with the New Zealand theatre company premiere of Wicked.
“Every time we ask our patrons which shows they would like to see, Wicked always comes out on top,” says Showbiz Christchurch General Manager, Michael Bayly.
Wicked tells the untold story of an unlikely but profound friendship between two witches who first meet as sorcery students at Shiz University: the blonde and popular Glinda, originally played by Kristen Chenowith, and a misunderstood green girl named Elphaba, played by Idina Menzel in the Broadway Production.
Showbiz auditions for the lead roles began in September, with full company auditions following in October. “They proved to be extremely popular,” says Bayly, attracting over 163 performers from throughout Canterbury, Wellington and Auckland, as well as performers based in Melbourne and London.
Competition was intense for the coveted roles of Elphaba and Glinda. “Due to the demands of these lead roles, the audition panel selected two performers for each,” Bayly said. “It is with great pleasure we can now announce that Elphaba will be played on alternate performances by Jane Leonard and Heather Lee Wilcock, and Glinda will be played by Rebekah Head and Ellie Neal.
Christchurch based performer Jane Leonard is already a favourite with Showbiz audiences. She played Meg Giry in The Phantom of the Opera (2015); the mistress in Evita (2016); a diva in Priscilla, Queen of the Desert and a featured soloist in An Evening of Rodgers and Hammerstein Classics (2017).
“When I received the phone call telling me I had landed the role of Elphaba I had just woken up, so it was very much a case of ‘pinch me, I think I’m still dreaming’,” explains Leonard. “Elphaba is one of those roles that in a beautiful way confirms and solidifies your abilities and hard work as an actor, and for that I am grateful.”
Heather Lee Wilcock is an Auckland based performer and who won the NAPTA Award for Best Actress in a Leading Role for her portrayal of Tracy Turnblad in the North Shore Music Theatre production of Hairspray. Wilcock has twice played the lead role in Evita.
Another performer figuratively pinching herself is Ellie Neal, who saw the touring Australian production in 2013 and has dreamed of performing one of the lead roles ever since.
Neal is a graduate of Toi Whakaari: NZ Drama School and the Lee Strasberg Film and Theatre Institute. She played the lead in The Court Theatre’s 2016 production of Legally Blonde and runs her own theatre company, Vision Theatre NZ in Wellington. Wicked will also be her first production with Showbiz.
Now based in Auckland, former Christchurch performer Rebekah Head will also play Glinda. Since graduating from NASDA in 2014, Head has been busy performing throughout New Zealand with NZ Playhouse, Whoa! Studio, Auckland Fringe and The Court Theatre. Wicked will be her first production for Showbiz.
Head sums up her delight at landing the role of Glinda by quoting a song from the show: “I couldn’t be happier!” She adds “I’m also super excited to be playing a role that was originated by an actress who is under five feet, just like me.”
The Showbiz production will be directed by New Zealand musical theatre heavyweights Stephen Robertson and Richard Marrett, and choreographed by Robertson and Glen Harris.
The remaining principal roles, ensemble, dancers and backing vocalists will be announced on Tuesday 7th November.
Showbiz Christchurch celebrates its 80th anniversary in 2018 with one of the most popular line-ups of major musical entertainment it has ever staged and the announcement of its first annual season sponsor.
Christchurch law firm Saunders & Co are partnering with Showbiz Christchurch and have put their name to the 2018 season.
Saunders and Co General Manager, John Bates says that it is Showbiz’s proven track record of delivering a consistent, innovative and high quality product, with widespread appeal that attracted the law firm to this partnership. “Showbiz Christchurch exemplifies what we value and strive for within our own organisation,” says Bates.
The Saunders & Co 2018 season commences at the Isaac Theatre Royal with Wicked on 6 April, followed by Broadway Hitmen – a concert of Cole Porter and Andrew Lloyd Webber hits from 13-15 July, and is completed by Les Misérables opening on 14 September.
The Showbiz Christchurch season of Wicked is the New Zealand theatre company premiere of one of the most successful Broadway shows of all time. It tells the untold story of an unlikely but profound friendship between two girls who first meet as sorcery students at Shiz University: the blonde and very popular Glinda and a misunderstood green girl named Elphaba.
The Showbiz production will be directed by New Zealand musical theatre heavyweights Stephen Robertson and Richard Marrett, and choreographed by Robertson and Glen Harris.
A full show orchestra, soloists and a large chorus will fill the Isaac Theatre Royal stage mid-year to present Broadway Hitmen, a concert of back-to-back hits from two of the biggest names in musical theatre, Cole Porter and Andrew Lloyd Webber. The concert will be under the baton of Ravil Atlas (Atlas Voices and TVNZ’s The Naked Choir) with stage direction by Nickie Wellbourn, who will step off-stage after her powerhouse performance as the rapping Sister Mary Lazarus in Sister Act.
The season will be brought to an epic conclusion in September with Les Misérables, a grand and moving story about the survival of the human spirit which has won over 100 international awards and been seen by over 65 million people worldwide. This true modern classic is based on Victor Hugo’s novel and features one of the most memorable scores of all time, proving that great drama never gets old!
Showbiz is repeating the popular Season subscriptions discount for all three shows. Theatregoers can purchase standard Premium or A Reserve seats for one 2018 Showbiz production and receive a 10% discount. Purchase a second show at the same time and the discount increases to 20%. Purchase all three productions and receive a 30% discount*
* Discounts are preloaded into the online ticket price and apply to standard full price Premium and A Reserve seating when purchased as a single transaction prior to 31 January 2018. Discounts don’t apply to the $2.50 Isaac Theatre Royal Heritage Levy component or the Ticketek service fee components of the ticket price.
“This is slick, colourful, polished entertainment with evocative backdrops, brilliant live musical accompaniments, attractive choreography, dazzling costumes, and topped off by committed performances from a gigantic cast. With Sister Act, Showbiz Christchurch triumphs once more with a full razzamatazz theatrical extravaganza.”
“You hope for a show where everyone is doing their best and here it is. Not surprisingly every member of the cast deserves the thunderous applause which, on opening night, extends to a number of curtain-calls.”
The Press: Sister Act entertaining and engaging
By Tony Ryan
“What could easily have been the all-too-usual big brash Broadway approach, emerged as entertaining, engaging and even, at times, genuinely moving. The show is superbly cast, from Monique Clementson’s impressively portrayed Deloris Van Cartier, to the consistently believable and focused performances of the entire ensemble.”
“The chorus of nuns is, perhaps, the real star of Sister Act …”
”The added incongruity of gangsters singing and dancing contributes further comedy, which made the outstandingly performed Lady in the Long Black Dress (Chris Symon, Blair McHugh, Rychalo Thompson) a real highlight.
“All the solo contributions were excellent with no weak link, but I must mention Nick Purdie’s (Curtis Jackson) singing of When I Find my Baby…”
“Set (John Harding), costumes (Lesley Burkes Harding) and lighting (Grant Robertson) played a significant part in the show’s effectiveness with some creative visual effects that completed a highly enjoyable night of musical theatre.
Backstage: Review – Sister Act is ‘fabulous, baby’
By Kate Divett
“Clementson offers sass, vulnerability and humour to create a character the audience connects with. Her vocals are rich, soulful and powerful.”
“Other performances are solid and in safe hands. Sarah Greenwood Buchanan is outstanding as the Mother Superior, her song Haven’t Got A Prayer is marvellous. Nick Purdie (Curtis Jackson) offers his smooth voice to the truly vile gangster role. Chris Symon (TJ) holds back his stunning voice to provide terrific comic relief, and is joined by fellow ‘thugs’ Blair McHugh (Joey) and Rychalo Thompson (Pablo) to woo the nuns in Lady in the Long Black Dress. Matthew McMenamin (Eddie Souther) is well cast as the nice guy who gets the girl in the end. Ian Lester (Monsignor O’Hara) is at his best when in full-blown preacher-mode.
“And then there are the nuns. A terrific gathering of incredibly talented women.”
“…. the sum of this production’s various parts is entertaining and leaves you with a sense that you’ve just been through a disco workout. Sister Act is indeed a fun way to end the Showbiz Christchurch season.”
Tearaway Review: Is It a Sister Act? Broadway Comedy Hits Christchurch
By Aaron Dahmen
“Sassy, stunning and beautiful – the final production of the 2017 Showbiz Christchurch season was near close to perfect.”
“With pitch perfect renditions of the greatest Broadway hits, each song was met with an equally powerful audience response. Simply put: they loved it.”
“Maintaining engagement through masterfully crafted comedy, one never felt out of touch as the storyline developed – inspiration for facilitating a further creative masterpiece.
“Ending on a final Sister Act finale – this was the moment where everything came together. The moment where the show name in question was brought to the forefront, and duly delivered.
“A Sister Act through and through; can I hear an Amen?”
The Star Review: Diva-fever and dancing nuns “will leave you dazed”
By Georgia O’Connor Harding
“This show is a visual spectacle, and when those nuns get down to boogie in their sparkling get-ups under gleaming stages lights, it will leave you dazed – seriously, this show is bright.
“But there is a heart-warming substance behind all those sparkles which stars a vocally powerful cast led by the bold Monique Clementson.”
“The nuns made the show, especially in large ensemble numbers Take Me to Heaven and Raise Your Voice.”
“A highlight is when Nickie Wellbourn, as the no-nonsense Sister Mary Lazarus, raps – no surprise that received a big applause.
“The choreography was clever, especially the dynamic performance of When I Find My Baby, featuring gangsters and edgy dancers, Ella Wilson and Jenna Morris-Williamson, as hookers.”
Man Found Dead in South Philly Alleyway Linked to Mob
Homicide detectives are investigating the death of a man whose body was found in a dumpster in a South Philly alleyway on Christmas Eve after an autopsy revealed that he had been shot, police reported.
Police have identified the man as Ernie Williams of South Philadelphia. Sources familiar with the investigation said Williams is believed to be a mob gangster who had a prior arrest record. He is a known associate of Curtis Jackson, a local nightclub owner with family links to Carl “Better Days” Jackson of the Northeast Philly Irish Mob. The body was discovered in a commercial alleyway in the early hours of Christmas morning behind the club owned by Curtis Jackson.
Officers from the Philadelphia Police Department responded to the scene and the body was transported to the Office of the Chief Medical Examiner, which declared the death a homicide.
Local Nightclub Singer Missing
Friends of singer Deloris Van Cartier are growing increasingly concerned about her safety after she went missing from the central city nightclub where she was auditioning on Christmas Eve.
Van Cartier, whose real name is Doris Carter and formerly worked for McDonald’s, was hoping the audition would launch her professional singing career.
Police are refusing to comment.
Queen of Angels Church threatened with closure
Queen of Angels Cathedral and Convent may be shut down completely as a chronic lack of priests and falling attendance sees Masses canceled.
Sources close to the parish believe that an offer to purchase the buildings has been received by the Archdiocese from two antique dealers.
The situation at Queen of Angels is so critical that weekday services have been canceled and Sunday Masses are only held every second weekend.
Aging priests, a lack of young seminarians and a plummeting number of practicing Catholics have left the Church facing an unprecedented crisis.
The institution in other districts have dealt with the same turmoil by shutting churches and clustering whole parishes.
And it may not be long before more churches in Philadelphia are forced to do the same, it’s been warned.
Monsignor O’Hara told the Philadelphia Bulletin: “Weekday Masses are disappearing because if there’s only one priest who has to travel around three or four churches, plus do funerals, weddings, visiting the sick and administration, it’s impossible.
“Some parishes have more than one church but only one priest, so there might be Mass every second day in each church.
“But older people are now finding their local church doesn’t have Mass and they can’t get to another church so that’s a major issue.”
Priests across Philadelphia have been asked to count Mass-goers over the next three weeks, an audit which could lead to the cancellation of Masses which have poor attendance.
Expanding Antiques Business Behind Church Offer
The two antique dealers behind the offer to purchase Queen of Angels Church have been identified as Mr. Swanson and Mr. Lardner of Bachelor’s Antiques. They have a showroom in the city and specialize in buying and selling antique, vintage and mid-century design pieces, including furniture, ornaments and jewelry.
Antiques are in Lardner’s blood; his family had antique shops in Bella Vista and his first purchase was a Georgian tea caddy when he was seven.
“We outgrew our city premises and rented a shop in South Philly for a month this time last year, and that was really successful” said Lardner “This building was always one we liked and we would be lucky to secure it.”